![]() “I wish I had the chance to do my ‘Aliens’ as animatronics. He’s reticent to say too much but when asked about the use of practical effects versus CGI, he really digs in. Regarding Deakins, Villeneuve says he thinks it may be the 13-time Oscar nominee’s best work yet, which is clearly quite the statement. I was also very excited by the idea of working with someone who had never done sci-fi before, because we were approaching the movie not as a sci-fi movie, but as an intimate drama.”įinally, Villeneuve is finishing up “Blade Runner 2049,” which he calls the “most risky” project of his life and one that finds him reprising a legendary piece of cinema. I fell in love with the guy, his humility, the way he was listening. I saw ‘Ain’t Them Bodies Saints’ and ‘A Most Violent Year,’ and I was very impressed by the way was using natural light and the personality he was able to develop. “So I started to look at different reels and I said to myself, not being able to work with Roger, it’s an opportunity to be in total different waters, to inspire myself and challenge myself. “I found myself as an orphan without a cinematographer,” Villeneuve says. ![]() He tapped up-and-comer Bradford Young (“Selma”) for “Arrival,” and it was an exciting departure for the director. In the midst of an on-going partnership with legendary cinematographer Roger Deakins, Villeneuve went a different route this time due to scheduling. I will deform scenes and cut dialogue - I will be a bit of a barbaric asshole, because I need to invade the screenplay.” ![]() ![]() I always say to the screenwriter that I will be his best friend, that I will do everything to protect his poetry, and at the same time I will be his worst enemy because I will be a traitor. “I like when it’s a bit raw and I have space to evolve as a filmmaker. “I choose screenplays that have strong potential to create strong cinematic moments,” Villeneuve says. The interesting thing about Villeneuve as of late, particularly with his project selection in the wake of the more plot-driven “Prisoners,” is that he seems to be drawn to scripts - Enemy,” “Sicario,” “Arrival” - that allow a lot of room for atmosphere and for him to put his fingerprint on the thing. ![]()
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